Rueda de Casino ist eine Art, kubanische Salsa zu tanzen, bei der die Tanzpaare einen Kreis bilden (spanisch rueda bedeutet "Rad") und die Tanzpartner. Salsa Berlin: Erklärung des Salsa Begriffes Rueda De Casino (Tanzstil). Rueda de casino ist ein lateinamerikanischer Gruppentanz, der zu Salsa-Musik getanzt wird. Übersetzt bedeutet Rueda Rad und Casino ist die kubanische. Then let go and grab next partner. Next switch places bring her under your right arm. Ladies can also do two and a half turns if they want. The Ladies are rueda de casino the right, and Leaders are on the left. The leaders take the hand of the partner arriba one by placing your hand over your partner's, but below the next leader, then walk through on the call. Rueda is het spaanse woord voor wiel, Casino staat in Cuba voor de naam van de dansstijl. Views Read Edit View history. Florida casino couples stand in a circle. Casino danced with multiple partners in a circular fashion emerged in under the Beste Spielothek in Rutti finden "Rueda del Casino. Deze pagina is Beste Spielothek in Josephsbrunn finden het laatst bewerkt op 28 jun om On the first 3 count, lift ladies right hand up and turn her outside her right. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus Beste Spielothek in Daubringen finden added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up. End either by dile que no, or by Rueda, hombres abacho.
Rueda de casino -Er führt sie gerade zur Kreismitte. Wir freuen uns, dass natürlich auch dieses Jahr Reynaldo Salazar, einer der besten Ruedaspezialisten auf der Welt, wieder zusammen mit Catherine Roth bei uns unterrichten und Teil des ruedafestivals sein wird. Wir freuen uns, die zehnte Ausgabe vom ruedafestival Stuttgart präsentieren zu dürfen. Coppelia con alarde wird im barrer angesagt. Für den Taucher 2 greift bei der enchufla der Salsero mit seiner linken Hand die linke seiner Partnerin und dreht sich rechts zurück unter ihr durch.
casino rueda de -Solo Männer und Paare sind selbstverständlich möglich. Der Salsero dreht die Dame auf seiner rechten Seite ein, geht links an ihr vorbei, so dass sie seine rechte Hand auf ihrer Schulter um ihren Hals liegen hat. Dann dreht er sich rechts zurück in seinen rechten Arm ein, "taucht" unter ihm durch ohne zu drehen und legt seinen rechten Arm hinter ihrem Kopf ab, bevor die Figur mit einem dile que no beendet wird. La caricia würde ich auf der 1 ansagen und auf der 5 führen. Contra tiempo wird auf der 7 angesagt. Bei den Rueda Basics 1,2 und 3 werden die Grundkenntnisse der Rueda de Casino vermittelt sowie die am häufigsten angesagten Figuren gezeigt. Rueda kommt ursprünglich aus Kuba. Sie haben sich mehr oder weniger geheim verabredet, um für andere Menschen auf öffentlichen Plätzen nach einem Startsignal zu tanzen.
This is repeated until the caller calls out the opening move. Partners rock, in closed position, in and out of the wheel, poiting up and out, then down and into the circle with their joined hands.
Continues until another call arriba, abajo, dile que no. Counterclockwise forward for the leader around the circle.
Partners in closed position. Clockwise backward for the leader around the circle. Let go of your partners right hand as you both open to the center of the circle.
Leaders right arm moves down and under next partners left shoulder to start a cross body lead, a 'dile que no'. Leaders put their right hand on ladies back and left hand on her right shoulder, move them to your left out of the way and start them on an inside turn.
This is all done in two counts. Quickly move to the second lady to the right. Ladies, once started on the inside turn left turn , continue solo and wait for the next leader to pick you up out of the turn.
With 2 couples, this call has a special feel. To add some flair to it, just as you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise.
The leaders must be especially quick to get around in this. Two fingers up Same as Dame Dos, but with two hand claps as you pass through the center.
Depending on your dance school, the Dame Dos move is already done with two handclaps. In that case, this call is not used.
Meanwhile, the lady is doing a turn in the opposite direction, so that you pass each other. Pick her up for a cross body lead to switch into position.
Swing her around in front in time to go back into the basic rueda step, ending with the right hand to left hand push-off.
Closed fist held up, arm moves up and down, like pulling on a truckers horn After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.
Then step to the inside to pass them. Don't let go with the left hand until the last moment. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.
Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.
The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside. Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.
After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead.
All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl.
Do 1 clap after the first, 2 after the second, etc. Same as an Enchufle, except you put your hands together and dive up to the next girl.
Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner. This can be used to initiate arriba, abajo, aburrete, pa' el medio, etc.
The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady. Then the leaders and ladies salsa mummy-like in and out towards, then away from each other until the caller stops the terror with 'alli nada mas'.
Then do a cross body lead to get back into the Rueda. Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn.
You stay with your original partner unless the caller calls 'dame'. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts.
As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner. Same as Festival de Enchufle, but doing Adios instead.
Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn. Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand.
Then let go and grab next partner. Wave good-bye then hand to the chest Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.
Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.
Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back. Ready for the cross body lead.
In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn. Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop.
Usually with legs apart and snapped together. This is done on the "1" or when the leaders right foot and ladies left come together.
On the first 3 count, lift ladies right hand up and turn her outside her right. As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist.
On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head.
Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.
After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand. Reach in the circle, touching the other leaders's hands with your free left hand.
Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.
Everybody touches hands in the center again. After unwinding out of hammerlock, Leaders lead ladies behind them around their left, and switch hands behind the back.
Continue to lead ladies around the right side, and do a 2nd cross body lead using the right arm in front of them.
Switch back to leaders left hand as they cross. Same as above, but after the second cross body lead, Leaders do the above again, but this time over the head and only with the Left hand.
Leaders and ladies all hold hands in one unbroken circle. The leaders dance into the circle on the left foot while the ladies lean out of the circle, still holding on.
On the leaders's right foot, pull the ladies to your right past you in front of you, like a cross body lead, only using hands, to your left side.
All join hands quickly to form the unbroken circle again, etcetera. This same pattern can also be done "inverted", with everybody facing out of the circle.
Leaders move to the left and catch her on their right side ready for another cross body lead. Ladies can also do two and a half turns if they want.
The Rueda either ends here, or hold her four beats to continue. As ladies move to leaders left side, leaders circle around ladies so when they stop spinning they are almost on the leaders right side again.
Leaders hold ladies for 3 counts and can then start another cross body. Leaders stay facing center. When ladies are on the right, ready for cross body.
While stomping you should be thinking about getting close enough to the next partner to for a cross body lead.
Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift,  and in the late s and early s it experienced an enormous explosion of popularity.
However, the style of Rueda de Casino that became popular was a style somewhat different than its original form. From Miami, Rueda de Casino spread first to major U.
In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously.
The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.
Most moves involve the swapping of partners, where the partners move around the circle to the next partner.
The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.
The names of the moves are mostly in Spanish, some in English or Spanglish ; e. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.
Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda.
Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.
Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.
For example, the hand signal for Sombrero is the caller tapping the top of his or her head. Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan.
Rueda de casino dance may also be seen in the documentary film "La Salsa Cubana.Mit dem linken Arm dreht er sie im Uhrzeigersinn, sie geht hinter ihm vorbei, und es folgt ein dile que no. Er hebt ihre Hand über seinen Kopf und legt sie in seinem Nacken ab. Er führt sie gerade zur Kreismitte. Beginnt wie sombrero doblewird jedoch nicht mit dile que no abgeschlossen, sondern Beste Spielothek in Helmlingen finden Arme bleiben über Kreuz gehalten und die Casino games undersea treasure slots wird auf die linke Seite geführt. Auf der 6 gehen beide mit einem zeitlich kurzen, aber räumlich langen Schritt zur Kreismitte. Wir freuen uns, dass natürlich auch dieses Jahr Reynaldo Salazar, einer der besten Ruedaspezialisten rueda de casino der Welt, wieder zusammen mit Catherine Roth bei uns unterrichten und Teil des ruedafestivals sein wird. Hoch zu Salsa Vor zu Seite 2. Die eigene Partnerin wird dabei nicht losgelassen. Auf 5,6,7 tanzt der Salsero selbst ein Enchufla und dreht gleichzeitig seine Partnerin wieder aus. Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Alle halten ihre beiden Nachbarn an den Händen und wenden sich zu ihrem Nachbarn auf der Linken.